Download PDF Lincoln in the Bardo: A Novel By George Saunders

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Lincoln in the Bardo: A Novel-George Saunders

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#1 NEW YORK TIMES BESTSELLER • WINNER OF THE MAN BOOKER PRIZEThe “devastatingly moving” (Peoplefirst novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and inventedNamed One of Pastes Best Novels of the Decade • Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • A New York Times Notable Book • One of O: The Oprah Magazine’s Best Books of the Year February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?“A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review “A masterpiece.”Zadie Smith

Book Lincoln in the Bardo: A Novel Review :



I was expecting a lot from this book and I'm sorry to say I was disappointed.It's clear to me that I can't fully appreciate Mr. Saunders alternative writing and since the onset I had a complicated relationship with this book (there were sections where I felt completely lost) I tried my hardest to like it, I really did.I know a few people who has swooned over this book. Not me. There is a very good chance that my aversion betrays a complete lack of understanding on my part.But in all honesty, I can't recommend it to anyone.
You can tell that this is an unusual novel by the distribution of reviews across Amazon’s stars. The reviews by professional literary critics are universally positive, but the response from those of us who are amateurs is much more varied. The story is rooted in historic fact: President Lincoln’s beloved son Willie died in the White House from typhoid, and the grieving president made several visits to his son’s crypt. This is a strange story, strangely told. I am familiar with the word bardo from Eliot Pattison’s mysteries which are steeped in Buddhism and set in Tibet. Other people are more qualified to discuss whether this fictional setting is more consistent theologically with a Buddhist bardo, with limbo, with purgatory, or with none of them. Whatever the theology is, this bardo is not heavenly. This bardo is heavily populated with spirits or ghosts of people buried in the cemetery who have not moved on to whatever their next state of being is to be. The structure of this novel is unusual. It is told almost entirely in dialogue. The dialogue sometimes is from first person “historic” accounts of true events related to Lincoln or his son’s death, complete with citations that give the appearance of contemporaneous sources. ( “Historic” is in quotes because apparently some of those accounts are authentic and some are fictional.) Some of the dialogue is in the thoughts of living characters such as Lincoln and the cemetery caretaker. But the majority of the story is told in dialogue between the spirits. Some readers find it tedious and some find it brilliant. I appreciate the creativity and had no difficulty following the story. Despite the fact that it was so effective as storytelling, it was disconcerting to shift point of view so frequently. The result of the frequent jumps was that I felt less connected to the story. This is a sad story of loss, of love, of regret, of grief and of pain. There are some very disturbing aspects, some heartwarming moments, and some humor. Among the disturbing aspects are the plight of children in the spirit world, the suffering of the spirits from mistreatment as slaves, and the survival of hatred and racism past death. The portrayal of Lincoln is poignant and sympathetic. He is shown as President, father, and husband. The main spirit characters tell their stories of life and of their afterlives. They work together to reach the president and save Willie’s spirit. Love it or hate it, this is a book worth reading for its story and for the technical aspects of how the story is told. This was a book group book and it was a good selection for us. It lead to a very interesting and broad reaching discussion. It is a book that I could appreciate, but not a book that I could love.

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